Julia carries the day

What an amazing day it’s been. I’ve resented every minute away from the internet, TV, radio. Yet only 24 hours ago, as someone said somewhere, this was no more than …

Chris Uhlmann’s wet dream.

Australia has its first female Prime Minister, sworn in by its first female Governor-General.

Headline of the day?

Gillard grabs her moment in history

This is what’s really inspired.  How she seized the day.  She didn’t squib it or get cold feet or play “nice”.  She just reached out with both hands and took power.   In doing so she demonstrated what power is: taking the thing desired and accepting the consequences, whatever they may be. It’s what Peter Costello couldn’t do.

Most searing moment of the day?  When Kevin Rudd talked about the Stolen Generations and how they’d come in “that door” on that day in 2008 — here he broke down for several minutes — and

… they were frightened.

Ahhhh. His greatest achievement, and the one for which every Australian will remember him with gratitude: the apology to the Stolen Generations.

Well-played, Mr Rudd!  Well-played, Ms Gillard!

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First female Prime Minister in land feminism forgot

A few minutes ago, Australia got its first female Prime Minister.  Never did I think I’d live to see this day in the land that feminism forget, the land where women earn 83% of what men earn

Overnight, a surprise challenge was brought on to oust Kevin Rudd, the man elected by Australian voters to lead Australia only two and a half years ago.  And this morning, in a Caucus meeting, his Deputy, Julia Gillard was installed as Prime Minister.

This is stunning. It’s a total surprise to this Rudd voter at least.  There is no precedent for ousting a first-term Prime Minister.  And that a woman should become Prime Minister, a woman who’s never been married and has no children, who was once taunted by the Cro-Magnon, Bill Heffernan, for being “barren”, is gobsmacking.

What a red letter day it’s going to be watching our first female Prime Minister being sworn in by Quentin Bryce, our first female Governor-General.

After this, truly anything is possible …

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Image: Julia Gillard, photograph by Glen McCurtayne for The Sydney Morning Herald (top); Quentin Bryce and grandchildren, photograph by Paul Harris for The Brisbane Times (bottom)

Germaine and The Monthly

Until last week I thought The Monthly benign, mostly harmless, occasionally stimulating.

Sure, it published articles by male writers over articles by female writers in a ratio of 4:1, and had a tendency towards husband-and-wife writing sinecures.  But if it wasn’t ideal, it wasn’t uncommon either (especially as some of my readers and me discovered when looking at the gender split of writers for similar publications in the US and UK).

Now it looks anything but benign.  For The Monthly has recently devoted its cover and major article to a juvenile disparagement of Germaine Greer on the occasion of the 40th anniversary of her seminal text, The Female Eunuch.

Louis Nowra’s article, “The Better Self?”, and the fact of its publication is bewildering.  This is how we examine the contribution of one of our most famous citizens and the impact of a book that sold millions of copies and has never been out of print?

By deriding her appearance?

… she looks like a befuddled and exhausted old woman.  She reminded me of my demented grandmother who, towards the end of her life, was often in a similarly unruly state.

By marshalling pages of non-sequiturs?

In The Female Eunuch, she mentions that women shave their pubic area “in extreme cases.”  Now “Brazilians” are common among young women.  Her exhortation to women not to marry hasn’t been taken up.  And as for women opting out of their roles as prinicipal consumers in the capitalist system, young women today love shopping more than ever.

By patronising any woman who’s ever been within the author’s ambit?

One day when I was loading trucks to earn money, I had to pick up goods from a spinning-yarn factory where my Auntie Helen worked.  The enormous hangar-like building was filled with spinning-yarn machines, all of them operated by women.  The clanking, whining machines made such a noise that everyone had to shout.  I saw my widowed aunt sweating in the heat, her hair in a net so it didn’t snag in the machines and scalp her.  I realised then that none of the working-class women who worked with her would ever read The Female Eunuch; it would remain always inaccessible to them with its many quotes from Nietzsche, Blake and Shakespeare.

By attacking Greer for doing by accident what she does by design?

… there’s now a sense that she is impersonating – even parodying – herself.  She has become a grotesque character called Germaine Greer.

The last is the most serious failing.  For Nowra — along with a certain segment of the population who, as one blog commentor noted, becomes crazed by Greer — just does not get who Greer is.

Germaine Greer is a performance artist; always has been, always will be.  She happens to have a huge intellect and to have written one of the most influential books of the last half-century, but all of it has been in service to her main aim which is to perform and dramatise the conundrum of being a woman.  And parody, saying or doing anything “to get noticed,” and grotesqueries are all tools of the trade.  Nowra, and those like him, don’t get that she spends her amour propre, jettisons it, trounces it, because she’s demonstrating its meaninglessness.

It’s as if Nowra thinks it was someone else who in the 70s bent over naked and looked through her legs on the cover of Suck magazine, or someone else who debated Norman Mailer in the New York Town Hall, or someone else who, as I can attest, did a spontaneous routine based on the consanguinity of the words “banking” and “wanking” at Sidney Sussex College, Cambridge University in 1996 on what was the (mere) 20th anniversary of the admission of female students to the college.

Fact is, there are more things in heaven and earth that Germaine has done or contemplated doing than a journeyman like Nowra could ever dream of.  That this same Nowra, this chronic misinterpreter, has been charged with writing a retrospective on Greer’s book is both depressing and laughable.

At least the débâcle has generated some funny blog postings and comments.  Here are some choice ones from the blog, Larvatus Prodeo.

The Monthly is the same old introspective masturbation produced by the same myopic mutton dressed up as libertine lamb … All it really is is the same old in-fighting and witless bitchiness amongst the same old 150 people who harbour a lifelong delusion of being the Antipodean equivalent of [insert favourite intellectual/artistic movement here].

Associate with any of these people and do/say something the least bit wild and they’ll cringe in fear or spew such self-righteous moralising hypocrisy as to make Lady Bracknell embarrassed for them.  The culture of this country would be improved 3000% if you could give this lot a pleasure cruise and sink the boat with a cruise missile in shark-infested waters.

Not that I have anything against them.

***

But what Nowra and I have in common is that we’re about as marginal, creative, original and interesting as IKEA furniture.

***

Thanks Mercurius and Trotsky for making the thread bearable.  Are we that bereft of intellectual fertility that we have to swing Germaine Greer’s public persona around like a bored cat on a flabby bungee cord?

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I’ll leave the last word to Germs herself.

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The US: Land of the 27% woman too

Yesterday I discussed some of the ways in which women are discounted in Australia.  For example, women are paid 83% of what men are paid, and women have a minimal presence in the forums of power and influence. 

One such forum is the opinion-forming publication, The Monthly.  This is a magazine with an audience that would also read, say, The Atlantic Monthly or The New Yorker.

I analysed the gender of authors featured in 11 issues of The Monthly and found that 73% of articles were written by a male author, 27% by a female author.

Following on from that post, my trusty North American correspondent, Phil, has analysed 5 issues of The Atlantic Monthly and 5 issues of The New Yorker.  Eerily, the gender breakdown for The Atlantic Monthly is exactly the same as for The Monthly: 73% and 27%.  And The New Yorker is very similar. 

Here are the charts:

And here is the issue-by-issue breakdown for The Atlantic Monthly and The New Yorker (blue-shaded figures=male authors, yellow-shaded figures=female authors).

It does not comfort me one whit that Australia may be as good as it gets.

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My sincere thanks to Phil for assembling the figures and sending them to me so promptly. SGxx

Women in Australia: paid 83% of what men are paid, heard 27% of the time

A report is about to be released by the Federal Government of Australia which confirms that women in Australia are paid 83% of what men are paid.  The advance publicity suggests two components to the gender pay gap:

  • women fill low-paid jobs while men fill high-paid jobs
  • when a woman and a man are sitting next to each other at work doing the same job, the woman will often be paid less than the man.

Since the Sex Discrimination Act was passed in Australia in 1984, women have never earned the same amount as men, and 25 years later, they still don’t.

Yet the Act makes such discrimination illegal.

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The discounting of women in Australia — women’s existence, women’s value, women’s contribution — shows up in all areas of life. 

As well as showing up in women’s pay-packets, it shows up in personal relationships, in levels of self-esteem, and in the minimal space occupied by women in all forums of power and influence: government, corporations and the media. 

In fact, a few weeks ago, discouraged by opening yet another magazine and seeing so little space given to female writers as compared to male writers, I conducted my own analysis. 

The magazine I chose to analyse is called The Monthly.  It covers political, cultural and literary issues in Australia.  The type of person who would read it would also read, say, The New Yorker.  And its opinion-forming powers are developing nicely; the Prime Minister, Kevin Rudd, for example, has written a couple of its essays.

For my analysis I looked at 11 issues of the magazine,  January 2009 to November 2009.  I also analysed the contents according to the two types of articles:

  • major articles: 3,000 words or more
  • minor articles: 1,000 words or less.

This is what I found.

The following chart shows the percentage of articles written by a male author and those written by a female author, for ALL articles (major articles + minor articles) published in the 11 issues.

When I looked at major articles only — those articles of 3,000 words or more — I found the situation to be even more inequitable.

And here are the figures broken down by month (blue-shaded figures=male authors, yellow-shaded figures=female authors).

The point here is not to pick on The Monthly.  Because you can find this same absence of female voices wherever you look in Australia.  But really, is it any wonder women can’t get pay equity when women hardly even register in the national psyche?

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